Beth Hart has announced two headline shows for this autumn on the south coast of England.

Part of a larger European tour, Beth Hart plays Poole Lighthouse on Thursday 28th November and Brighton Dome on Saturday 30th November.

The two dates follow Beth Hart’s eight-date UK tour in March 2023, which also culminated in Brighton.

Tickets to Beth Hart’s Poole and Brighton concerts go on sale from Planet Rock Tickets at 10am on Friday 5th July.

Beth Hart’s latest studio album, ‘A Tribute to Led Zeppelin’, dented the UK Top 20 when it was released in early 2022.

More recently, Hart has lent her phenomenal voice to Slash’s cover of T-Bone Walker’s ‘Stormy Monday’ from his album ‘Orgy of the Damned.’

Slash revealed that Hart recorded her “really emotional” vocals in one take while still mourning the passing of her friend Jeff Beck.

See Beth Hart at the following shows:

NOVEMBER 2024

Poole lighthouse – Thu 28th

Brighton Dome – Sat 30th

 

Beth Hart & Joe Bonamassa – Black Coffee

Blues singer Beth Hart, guitarist Joe Bonamassa and producer Kevin Shirley have teamed up with old friends and new for their third studio collaboration. Like Don’t Explain (2011) and Seesaw (2013), Hart and Bonamassa use Black Coffee to continue exploring the blues.

While previous records dug into the past to recover and re-present songs that listeners might have missed or lost though, Black Coffee ranges through songs everyone should already know – like Etta James’ forge-hot comeback track Damn Your Eyes or the record’s eponymous Ike and Tina Turner cover, Black Coffee – to the totally obscure – like Austrian downtempo trio Waldeck’s Addicted, which Shirley heard, Shazamed, and shared with Hart and Bonamassa.

They also don’t shy from covering the oft-covered, presenting here their searing versions of LaVern Baker’s gospel stamp-and-clapper Saved, Doc Watson’s folk porch-rocker Sitting On Top of the World, and Kansas Joe McCoy’s smoky lament Why Don’t You Do Right?, all of which have been “rediscovered” more times than it’s worth recounting here. But Hart and Bonamassa have proved again that their approach – inventive and challenging arrangements, recorded live in the studio – will keep yielding fresh and fiery results.

Hart and Bonamassa often repeat that they can achieve things together that they couldn’t imagine attempting alone, but much credit must go to the backing band, whose depth of talent and versatility allow the record to dive deep into gospel, big band, walking blues, jazz ballad, and even trip-hop sounds. Kevin Shirley’s steady hands also help to shape tracks that conjure up amphitheatres on sweltering summer afternoons (like the horn-heavy opener Give It Everything You Got) as easily as they do underground cafes on rainy autumn evenings (like the gorgeous Lullaby of the Leaves).

These exceptional music-makers provide the perfect setting and compliment to showcase the virtuosity and passion of the now famous pair, Hart and Bonamassa.

On Black Coffee, these two scratch out a new groove in a very old record, and it’s well worth listening.