September 19, 2024

David Gilmour fans better get excited, as the Pink Floyd guitarist reckons his upcoming album, Luck and Strange, is the best album he’s made since The Dark Side of the Moon.

Gilmour makes the bold claim in a new interview with Prog, in which he discusses the record, which arrives on 6 September via Sony. “It’s over 50 years now since The Dark Side of the Moon,” Gilmour says. “My feeling is that this album is the best album I’ve made in all those years since 1973 when The Dark Side of the Moon came out.”

The Dark Side of the Moon is widely considered one of the greatest prog rock albums of all time, spawning hits like “Money,” “Time,” “Breathe (In The Air),” and “Brain Damage.” Its success established Pink Floyd as a cornerstone of the genre, with its intricate production and introspective themes resonating with audiences worldwide.

Fans and critics are eager to see how Luck and Strange compares to Gilmour’s illustrious work with Pink Floyd and his previous solo projects. Gilmour’s confidence in this new album suggests a blend of classic rock influences with fresh and innovative sounds.

In terms of material to compare it to, so far, we only have two singles from Luck and Strange: “The Piper’s Call” and “Between Two Points.” These tracks showcase Gilmour’s signature guitar work, blending evocative melodies with rich, textured soundscapes. “The Piper’s Call” features an intricate guitar solo reminiscent of Pink Floyd’s best work, while “Between Two Points” offers a more introspective, lyrical journey.

Listeners can assess Gilmour’s bold claim by delving into these singles, which hint at the album’s potential to capture the same timeless quality that made The Dark Side of the Moon a classic. As the release date approaches, anticipation is building, with fans eager to experience the full depth of Gilmour’s latest musical endeavor. Whether Luck and Strange* will stand the test of time as a masterpiece remains to be seen, but it is undoubtedly set to be a significant milestone in Gilmour’s career.

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